Cecily Brown Joins David Zwirner and Thomas Dane Gallery, Departing Gagosian in Major Representation Shift
In a move that signals ongoing evolution in the contemporary art market, acclaimed painter Cecily Brown has announced her joint representation by David Zwirner and Thomas Dane Gallery, effectively departing from her long-standing partnership with Gagosian. This transition, revealed on November 11, 2025, reunites Brown with galleries that align closely with her expressive, abstract-figurative style, promising new opportunities for exhibitions and market expansion. Brown, whose vibrant, layered canvases explore themes of sensuality, history, and the human form, has been a fixture in the blue-chip art scene since the late 1990s. Her departure from Gagosian, where she has been represented since 2003, marks the end of a prolific era that saw numerous solo shows and record-breaking sales.
Born in London in 1969, Cecily Brown studied at the Slade School of Fine Art before relocating to New York in 1994, where she quickly gained recognition for her dynamic paintings that blur the line between abstraction and figuration. Influenced by masters like Willem de Kooning, Francis Bacon, and Titian, Brown's work often incorporates erotic undertones and chaotic compositions, inviting viewers to decipher hidden narratives amid swirling colors and brushstrokes. Her pieces have been exhibited globally, including major retrospectives at institutions like the Metropolitan Museum of Art and the Louisiana Museum of Modern Art. In the auction market, Brown's prices have soared; her record stands at $6.6 million for "Suddenly Last Summer" (1999), sold at Sotheby's in 2018, reflecting her status among top contemporary painters.
The new representation with David Zwirner and Thomas Dane Gallery is particularly fitting given Brown's history. She previously showed with Thomas Dane in London, fostering a relationship built on shared visions for European outreach. David Zwirner, known for its powerhouse roster including Yayoi Kusama and Kerry James Marshall, offers robust transatlantic support with locations in New York, London, Paris, and Hong Kong. This joint model allows for coordinated exhibitions, similar to successful collaborations seen in other artists' careers. "Cecily's work embodies a fearless exploration of painting's possibilities," said a spokesperson for David Zwirner in a statement. "We are thrilled to partner with her at this pivotal moment, building on her legacy while pushing boundaries in new directions."
Brown's time with Gagosian was transformative. Joining the mega-gallery early in her career, she benefited from high-profile shows, such as "Death and the Maid" at Gagosian's Rome space in 2023 and a major presentation at Art Basel Miami Beach. Under Gagosian's umbrella, her market presence expanded, with works entering prestigious collections like those of the Tate Modern and the Whitney Museum. However, as the art world adapts to post-pandemic realities—including digital sales platforms and shifting collector preferences—artists like Brown are seeking alignments that offer more personalized strategies. Industry experts speculate that this move could enhance Brown's visibility in emerging markets, particularly Asia and the Middle East, where Zwirner has been aggressive in expansion.
Quotes from the involved parties underscore the amicable nature of the shift. Larry Gagosian, founder of Gagosian, reflected: "Cecily Brown is an extraordinary talent whose contributions to contemporary painting are profound. It has been an honor to represent her for over two decades, and we wish her continued success." Thomas Dane added, "Reuniting with Cecily feels like a natural progression. Her paintings challenge and captivate, and we're excited to amplify her voice on a global stage." Brown herself commented in an exclusive interview with Artsy, "Change invigorates creativity. I'm grateful for my time with Gagosian and eager to explore new horizons with David and Thomas."
Looking ahead, plans are already underway for Brown's debut exhibitions under the new representation. A solo show at David Zwirner's New York flagship is slated for spring 2026, featuring new works inspired by classical mythology reinterpreted through her signature chaotic lens. Thomas Dane Gallery will host a complementary exhibition in London, focusing on her drawings and smaller-scale pieces. This dual approach not only maximizes exposure but also caters to diverse collector bases. Additionally, Brown's work will feature in upcoming group shows at venues like the Venice Biennale pavilion, solidifying her role in ongoing dialogues about feminism, body politics, and the endurance of painting in a digital age.
This announcement comes amid a wave of representation changes in 2025, as seen with George Condo's recent move to Sprüth Magers and Skarstedt. Such shifts highlight the fluid nature of the art market, where galleries compete for top talent to secure auction results and institutional placements. For collectors, it means fresh opportunities to acquire Brown's works through new channels, potentially at fairs like Frieze London or TEFAF New York. Brown's trajectory exemplifies how strategic partnerships can sustain long-term careers, blending commercial savvy with artistic integrity.
To delve deeper into Brown's oeuvre, consider her exploration of the nude. In paintings like "The Pyjama Game" (2005-06), she deconstructs the figure into a frenzy of color, challenging traditional gazes. This technique draws from art history while infusing modern energy, as discussed in resources from The Museum of Modern Art. Her influence extends beyond canvas; collaborations with fashion brands and book illustrations showcase her versatility.
The market implications are significant. With auction houses like Christie's and Sotheby's frequently featuring her works, this representation change could influence pricing dynamics. Analysts from Artnet note that joint representations often lead to higher visibility and sales volumes, benefiting both artist and galleries.
Brown's commitment to philanthropy adds another layer to her profile. She has supported organizations like Planned Parenthood through art donations, aligning her practice with social causes. As she embarks on this new chapter, the art world watches eagerly, anticipating how her bold visions will evolve under fresh stewardship.
In summary, Cecily Brown's shift to David Zwirner and Thomas Dane Gallery represents more than a business decision—it's a testament to the enduring power of reinvention in art. With her unparalleled command of paint and narrative, Brown continues to redefine what contemporary painting can achieve.
FAQ
What prompted Cecily Brown's gallery change in 2025? While specific reasons weren't disclosed, such moves often stem from desires for new exhibition opportunities, market expansion, or aligned visions, common in the dynamic art world.
Who is Cecily Brown, and what is her artistic style? Cecily Brown is a British-American painter known for abstract-figurative works that blend sensuality, chaos, and art historical references, often featuring layered brushstrokes and hidden figures.
What is Cecily Brown's auction record? Her highest sale is $6.6 million for "Suddenly Last Summer" (1999) at Sotheby's in 2018, reflecting strong demand for her pieces.
Will Cecily Brown continue exhibiting with Gagosian? No, this move marks a full departure, though past collaborations may influence future projects indirectly.
What upcoming shows does Cecily Brown have? Debut solo exhibitions are planned for spring 2026 at David Zwirner's New York space and Thomas Dane's London gallery.
How does joint representation benefit artists like Cecily Brown? It allows coordinated global efforts, increasing exposure, sales, and institutional placements while providing diverse support networks.